In December 2024, we created a unique piece with the Berber Women’s Choir of Bagnolet. We took the opportunity to perform some of our own compositions that were already prepared.

We’ve already been collaborating with Marsèl for two years through a series of great tours across mainland France, but this year things are speeding up: Marsèl’s new album is in preparation, mostly recorded by Ti’kaniki with a new team (notably including Luna Nieto and Amar Nora). This track is a reflection of that work, featuring the song Boutey Sarèt, performed at Le Périscope in September 2025.

And here is Zerzura’s first studio recording 🙂 It’s a song inspired by Egyptian Gypsy culture, where women sang and danced to hypnotic melodies. This one speaks of the custom of fortune-telling with seashells.

It was in 2024 that I had the chance to do my first tour with Zanmari Baré. The aim of this cross-disciplinary project, Lantouraz, was to revisit his repertoire with new harmonic and melodic colors. I found myself playing the roulèr and sati combo to accompany these songs that I first listened to when I started playing maloya ten years ago.

At the end of the second tour, joined by Mary Baré and Sami Pageaux (whom I initially replaced), we went into the studio and, for the first time on video, performed this magnificent composition from his latest album — a vibrant tribute to his partner, Da.

In January 2025. Sazman is a re-interpretation of Oriental’s Greece traditionnal music